Observatory Orange County Shows

Big Thief

with Palehound
Wed October 30, 2019
( Doors: 7:00 pm ) SHOW: 8:00 pm PDT
The Observatory
3503 South Harbor Boulevard, Santa Ana, CA
All Ages

Getting_Here_Tabs

Parking is available at the Premium Lot ($15) in front of the venue and at the General Lot ($10) just a block away. Parking lots open at 6 pm each night. Please pay close attention to all parking signage as towing is heavily enforced by our neighbors. Fans are encouraged to purchase their parking passes in advance. 

Street parking available on W. Moore Street, W. Alpine Street, and S. Yale St, all within a short walk (5-10 minutes) of the venue.

Buy_Parking_button



Big Thief have partnered with PLUS1 so that $1 from every ticket sold will go to support Little Kids Rock and their work transforming lives by restoring, expanding, and innovating music education in schools and Youth Speaks; creating safe spaces that challenge young people to find, develop, publicly present, and apply their voices as creators of societal change. www.youthspeaks.org www.littlekidsrock.org 

 

Big Thief
The trails that Brooklyn’s Big Thief—Adrianne Lenker (guitar, vocals), Buck Meek (guitar), Max Oleartchik (bass), and James Krivchenia (drums)—take us down on Capacity, the band’s highly anticipated second record, are overgrown with the wilderness of pumping souls.

After last year’s stunning Masterpiece, Capacity was recorded in a snowy winter nest in upstate New York at Outlier Studio with producer Andrew Sarlo. The album jumps right into lives marked up and nipped in surprisingly swift fashion. They are peopled and unpeopled, spooked and soothed, regenerating back into a state where they can once again be vulnerable. Lenker’s songs introduce us to a gallery of multifacted women and deal with the complicated matters of identity — at once dangerous and curious, though never unbelievable. Lenker shows us the gentle side of being ripped open. Tricked into love, done in and then witnessing the second act of pulling oneself back together to prepare for it to all happen again, but this time to a sturdier soul, one who is going to take the punches better than ever before and deal some jabs and roundhouses of their own.

The album is thick with raw, un-doctored beauty: most of the songs on Capacity were played for the first time in the studio and were recorded the same day. “There is a darker darkness and a lighter light on this album,” Lenker explains. “The songs search for a deeper level of self-acceptance, to embrace the world within and without. I think Masterpiece began that process, as a reaction from inside the pain, whereas I feel Capacity examines the pain from the outside.